Southwark Playhouse
Londres - Angleterre

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Critique de "Grey Gardens" au Savoy

 Londres (Angleterre)
 Southwark Playhouse  
 Grey Gardens  
 Publié le 11 janv. 2016
Les critiques sont excellentes:

Musical
Original London

4) Grey Gardens (Original London)

Joué durant  1 mois

Première preview: 02 January 2016
Première: 07 January 2016
Dernière: 06 February 2016

Compositeur: Scott Frankel •  
Parolier: Michael Korie •  
Libettiste: Doug Wright •  
Metteur en scène: Thom Southerland •  
Chorégraphe:  
Avec: Sheila Hancock (Edith “Big Edie” Ewing Bouvier Beale), Jenna Russell (Edith “Little Edie” Bouvier Beale), Billy Boyle, Aaron Sidwell, Jeremy Legat, Ako Mitchell, Rachel Anne Rayham, Alana Hinge, Grace Jenkins, Rebecca Nardin and Eleanor Waldron. 


Commentaire:   


Presse:

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Musical
Original London

3) In the Heights (Original London)

Joué durant  3 semaines

Première preview: 09 May 2014
Première: 15 May 2014
Dernière: 07 June 2014

Compositeur: Quiara Alegría Hudes •  
Parolier: Lin-Manuel Miranda •  
Libettiste: Lin-Manuel Miranda •  
Metteur en scène: Luke Sheppard •  
Chorégraphe: Drew McOnie •  
Avec: Nathan Amzi (Piragua Guy), David Bedella (Kevin), Josie Benson (Camilla), Damian Buhagiar (Sonny), Victoria Hamilton-Barritt (Daniela), Emma Kingston (Vanessa), Jonny Labey (Graffitti Pete), Sam Mackay (Usnavi), Christina Modestou (Nina), Sarah Naudi (Carla), Eve Polycarpou (Abuela), Wayne Robinson (Benny), Courtney-Mae Briggs, Reiss Hinds, Holly James and Dex Lee 


Commentaire:   


Presse: ★★★★ ‘This New York musical turns a South London fringe theatre into a riot of Latin soul, hip-hop, impassioned show tunes and vibrant dancing’ The Times

★★★★ ‘This show is a blast… easily as fun as any of its West End rivals’ Evening Standard

★★★★ ‘This musical… propelled by excellent singing and Drew McOnie’s breathlessly sexy choreography… makes a spectacular London debut at Southwark Playhouse in Luke Sheppard’s soulful, slinky-hipped production.’ Time Out

★★★★ ‘This fire-cracker of a downtown neighbourhood musical’ Whatsonstage

‘This sassy, sexy sensation of a show reaches such dizzying highs of theatrical ecstasy that it is surely destined to burst beyond south London’ The Stage

‘The show generates enough energy to fuel the south London power grid.’ The Guardian

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Musical
Revival

2) Parade (Revival)

Joué durant  1 mois

Première preview: 10 August 2011
Première: 16 August 2011
Dernière: 17 September 2011

Compositeur: Jason Robert Brown •  
Parolier: Jason Robert Brown •  
Libettiste: Alfred Uhry •  
Metteur en scène: Thom Southerland •  
Chorégraphe: Tim Jackson •  
Avec: Alastair Brookshaw (Leo Frank), Laura Pitt-Pulford (Lucille Frank, Leo's wife), Simon Bailey (Tom Watson), Mark Inscoe (Hugh Dorsey) , Kelly Agbowu, Jessica Bastick-Vines, Michael Cotton, Terry Doe, Natalie Green, David Haydn, Abiona Omonua, Philip Rham, Samantha Seager, Victoria Serra, Samuel J Weir. 


Commentaire: Played with a seven-strong band, it suffered from comparison with the much-praised Donmar production of five years earlier.  (plus) 


Presse: “Just occasionally the pace plods, and the play’s liberal values seem a touch preachy, but this is a show of tremendous heart and vocal power” (D. Telegraph).

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Musical
Revival

1) Company (Revival)

Joué durant  3 semaines

Première preview: 02 February 2011
Première: 09 February 2011
Dernière: 02 March 2011

Compositeur: Stephen Sondheim •  
Parolier: Stephen Sondheim •  
Libettiste: George Furth •  
Metteur en scène: Joe Fredericks •  
Chorégraphe: Sam Spencer-Lane •  
Avec: Rupert Young (Robert), Siobhan McCarthy (Joanne), Julia J. Nagle (Jenny) ,Poppy Roe (Kathy), Leigh McDonald (Sarah), Cassidy Janson (Amy), Katie Brayben (April), Steven Serlin (David), Matthew White, Adam Venus, Greg Castiglioni, Mark Curry, Laura Main, Michelle Bishop 


Commentaire: Performed with a six-piece band, the show was updated in locale to present-day New York but this was generally felt to be a mistake. The gender politics, language and hang-ups about marriage seemed very much a portrait of the 1960s - and didn’t ring true in a setting some 40 years later.  (plus) 


Presse:

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